Sometimes I suppose I could be virtually too nostalgic, however I think that it’s extremely cool for me to know that there are very young people who discover themselves just being introduced to the document. March 17, 2013 • The new album from these sons of grunge has the mix of pop and pessimism pioneered by Nirvana and others. Without the sooner bands’ studio slickness — and despite numerous onstage and offstage upheavals — Wavves battles personal demons with powerhouse choruses.
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With King Of The Beach, launched 10 years in the past today, Williams bounced all the way again and then some. The album was a massive leap in each respect, one which erased his reputation as a cautionary tale and left little doubt about his expertise. Wavves were now a correct rock ‘n’ roll band, with Williams backed by drummer Billy Hayes and bassist Stephen Pope — guys who’d just lately played with the late Jay Reatard and thus had experience infusing poppy guitar songs with snotty punk power.
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As proclamations of supremacy go, it’s not quite Jesus strolling into the temple and declaring himself the messiah, however for an indie rocker in the summer of 2010, anointing your self king of the seashore was an act of maximum confidence. Lo-fi guitar bands like Beach Fossils, Best Coast, and Real Estate had helped to steer the zeitgeist into the surf. The previous year’s chillwave movement was still going strong. Within indie’s more NPR-friendly chambers, the Beach Boys had emerged as a dominant affect for the likes of Grizzly Bear, Fleet Foxes, Animal Collective, and even some teams without creature-inspired names. So when Nathan Williams metaphorically strode out onto the sand and planted his flag, it was a loaded gesture, especially coming from a man who’d spent much of his transient stint in the highlight as a pariah and a laughingstock.
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How does it feel to know that through your lyrics and social media presence, you are actually giving voice to fans that deal with similar anxieties that you simply share in your music? I assume it has been a extremely cool experience for me to be very vocal about issues like exercise and just taking good care of your self and methods to channel your nervousness into other things. It was a really lengthy journey for me, and I nonetheless am making an attempt to it figure out.
Live
You’ve mentioned in earlier interviews how that was difficult to cope with at first and the way you’re still experiencing it, from sexist critics who focus on your appearance onstage to people who still dismiss your writing as “infantile.” How do you take care of this now as opposed to then? I assume at the finish of the day I always simply attempt to be myself. I have this perspective that’s very unapologetic, an I-am-who-I-am sort of perspective. I assume Wapa app that the particular person that I am in interviews and on social media and on stage, and all of that, may be very reflective of the individual I am day-to-day.
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It’s still February, however Wavves, Best Coast and Cherry Glazerr offered the pleasant reminder that summer is just across the nook, forever. Cosentino concedes “the world is basically fucked up still”, but tries to not reside an extreme amount of in “cheesy positivity” as a counterpoint. It’s nearly “learning to do what [she] can in a day after which let the next day come as a result of it all the time will”, she says. The ensuing album grapples with the concept of second chances. It finds solace in not having your shit together, and “decision” in acceptance.